The Fish Faced Lovers
Behind the series of fences and walls that pushed back against the threats of the wasteland, both biters and elements alike, lay immaculately preserved architecture and the buzz of industry and agriculture. As they escorted her through the large compound, she noted gardens, a communal well, even what appeared to be an outdoor classroom comprised of a dozen or so children kneeling before short desks. On their desks were books and paper, but the studious manner she associated with the rectories and cloisters back home was offset by the maces and hatchets that leaned up against the desks. There was a field of ranger recruits running though combat drills, the meaty thud of blunt weapons on decaying flesh punctuated by the occasional bark of a rifle when one of the instructors had to intervene on behalf of a recruit that failed to dispatch one of the starving biters. There was even a small bazaar where the hum of capitalism lived on in an otherwise broken country, like the steady heartbeat of a coma patient.
They passed through a courtyard, dozens of guards, and into the biggest building in the entire settlement, a southwestern adobe-style affair whose simple beauty was only marred by the snipers on the roof. Once inside, she marveled at the opulence inside. Had she been old enough to remember the prosperity the world enjoyed before The Turn, the decorations and furniture would have been fairly unremarkable, but these days, even a basket of fruit on a table not cobbled together out of road signs was a mark of elegance.
“Welcome.”
She hadn’t noticed the man seated at the desk to her right. Regarding this strange unassuming fellow, clothed in a matching ensemble of pants and a jacket that she associated with formal occasions from a time her mother told her about, a time she only saw in photos, she felt a cognitive dissonance that rendered her speechless. Could this actually be the man that ran the show around here? Her people spoke of a legend, singlehandedly responsible for organizing the most grizzled of survivors and channeling their rage into a scalpel-like instrument of war, bent on reclaiming the earth and carving out the undead cancer that had overtaken it. Surely this was his assistant. A bean-counter, or a diplomatic liason to act as intermediary between guests and the man himself.
He introduced himself simply as [placeholder name]. No title. They danced and sparred for a minute, her queries about the workings of the compound, their association with the new capital, and their reasons for bringing her in to meet him all deftly parried away by pleasantries and smooth talk. If his assurances were to be taken at face value, there was nothing to be worried about. They were safe within these walls, time was on their side, and soon, everything would be restored to the way things were before everything fell apart. So she took a different approach, and looked for something to turn into small talk. Her eyes scanned the walls, found a canvas painting above the desk, and remained there, attempting to make sense of the image. He smiled, turned to stare at it with her, and after a few moments, asked her if she’d like to hear the story behind it.
About two years before The Turn, he was in love. People took this thing called marriage fairly seriously back then, and it wasn’t long before he had proposed to her, and they were what was called “engaged”. He took his fiancee to a strange land of extravagance and hedonism called Las Vegas for her birthday, and during their stay there, they went to an aquarium, where they saw a strange breed of fish that had a peculiar mating ritual, where the male and female swam quickly up to one another and opened their mouths as wide as they could go, and held their open maws an inch away from each other, hovering, as if to kiss, or strike, or vomit. The fish would hover for uncomfortable lengths of time, as if in a Mexican standoff, then suddenly go back to swimming around one another in a mystifying dance that we as humans will never fully comprehend. The couple then assimilated it into the repertoire of those adorable, unique, inside-jokey mannerisms that only couples understand and take part in. They surprised each other with it over the course of their relationship, but it was never truly surprise, as the instant one would feint a kiss, only to, at the last minute, pop their lips open into a goofy fish-faced pucker, the other would mirror it instantly, a reflex as quick as blinking.
And that lasted until she left him.
A year later, however, she came back, at first under platonic pretenses. In no time at all, though, they realized the spark was still there. And on their first date, they went to an art gallery in Pasadena. He described it as a laid-back grassroots hippie affair, with a potluck and $3 glasses of wine, and a myriad of fascinating art up on the walls of the semi-outdoor maze of tables and exhibits. And there, in the most neglected corner of the gallery, they came upon a vivid watercolor rendering of a pair of human heads. The man and woman had their mouths open, lunging at each other. The man’s head was superimposed over a basic outline of a fish, their mouths the syncing point. The small plaque above the 8x10 canvas read, “The Fish Faced Lovers”. After their eyes had drifted over the various pieces strewn about the wall, both of their gazes came to rest on this particular painting, and their jaws dropped. Mouths agape, they slowly turned to each other. To an onlooker, they just looked like they were mirroring the painting. And they were. Nobody on the face of the planet but them could possibly understand just how much that was true. They were in love again.
And then everything fell apart, as things tend to do.
She absorbed the weight of this final statement. He wasn’t exactly old looking, but it was still a bit of a surprise that he was a pre-Turner. “I’m amazed you were able to hold onto the painting. With everything that’s happened since then,“ she remarked.
He smiled. “It’s not the same painting, actually.”
He went on to explain that the painting was, in fact, a reproduction. On one of his journeys that brought the tribe through the wreckage of Los Angeles area (rough territory – crawling with Biters and small pockets of feral Breathers) he stopped in Pasadena and hunted down the gallery, knowing full well that even if it had still been standing, it was pointless. Surely the gallery must have rotated its lineup regularly. Surely it wouldn’t still be there. But nothing about this decision was based in realistic thought. He found the remains of the gallery, and dug through heaps of neglected and weathered art for hours. Nothing. Having come up short in his goose chase, he decided he’d simply recreate it. And so he taught himself to stretch canvas, and found a relatively untouched art supply store (art naturally dropped about 30 rungs on the ladder in terms of priority to the looters of post-infection America), where he snagged a few vials of concentrated watercolor dye. After a few flawed attempts, he made something better than the faded memory of that painting. It looked like he remembered her, in colors less gaudy than the purples and oranges the original artist had bestowed on the canvas. There was so much time spent on the contours of her face compared to his. So much adoration, she felt almost embarrassed to stare at this image of this woman, as if by doing so, she was seeing into this man’s most private of thoughts.
She was silent for a long time. They both were. When the silence felt it had reached a natural and respectful conclusion, she asked him what she had been wondering through most of his story.
“Did she… did she make it through The Turn?”
He turned to her and remained silent for a few moments, seemingly weighing the merits of telling her or not. At that moment, Kestrelynn appeared in the doorway, her gear and cowboy hat now replaced by comfortable city clothes, and upon noting her presence, the man finally spoke.
“I don’t know. It’s irrelevant now. She’s dead to me either way.”
She waited for him to elaborate, but he just stared. Waiting to see if she’d be bold enough to press for more detail, perhaps? She remained silent.
“You’ve already met my protégé.” he said, nodding to the doorway, to which Kestrelynn responded with a tiny smirk. Her arms were crossed, and the knuckles of her right hand rose and fell against her bicep in a wave, suggesting an eagerness to pick up where they had left off in their argument with [girl’s name]’s jaw.
“She’ll set you up with a place to stay downstairs. You’ll have your own quarters, of course. We know how to treat ‘royalty’ around here,” he said, with a touch of amusement at the end.
She turned as the door was shutting behind her. His back was already to them, a statue again, contemplating the painting on the wall in silence…